我又我做错了什么的地方吗

求英语大神帮忙看看这篇短文有没有语法错误,有的话在哪里,谢谢~~有好心的人帮我看看这篇短文有没有语法错误,什么地方有错误,非常感谢!
One of China’s renowned dancers, both at home and abroad, _百度作业帮
求英语大神帮忙看看这篇短文有没有语法错误,有的话在哪里,谢谢~~有好心的人帮我看看这篇短文有没有语法错误,什么地方有错误,非常感谢!
One of China’s renowned dancers, both at home and abroad,
求英语大神帮忙看看这篇短文有没有语法错误,有的话在哪里,谢谢~~有好心的人帮我看看这篇短文有没有语法错误,什么地方有错误,非常感谢!
One of China’s renowned dancers, both at home and abroad, Yang Liping is from the Bai ethnic group. She has won a reputation for being the Spirit of Dance due to her charming performances, such as The Soul of the Peacock, Two Trees, and Moonlight.  Although born in Dali, at the age of nine Yang moved with her family to Xishuangbanna. Because of her extraordinary gift, she was chosen to join the Xishuangbanna Song and Dance Troupe when she was 13 years old. She became famous overnight for her performance in the Dai dance drama, The Peacock Princess. In 1988, she entered the China Central Song and Dance Ensemble of Nationalities. At the Second National Dance Contest, her dance The Soul of the Peacock, that she choreographed and performed herself, outshone all the other dances and reaped two first prizes, one for choreography and the other for her performance of the piece. A shining star was on the rise. Since then, she and her dances have been frequently shown on TV.  “I naturally became interested in dance,” said Yang when interviewed. “The Bai people love nature and advocate the essence of life. So, they usually express their affection for nature and life through singing and dancing.” The first time she performed the dance The Soul of the Peacock, Yang said, “I felt as if spiders and elephants were all around me as I stood on top of an earth mound in my hometown.”  Yang’s dances boast a lyrical touch, which often abandon trivial realities and meretricious expressions. What’s left in her dances are various moves that form silhouettes of a tree, a fish, a bird, or a snake against the backdrop of a moon as depicted in her dance Moonlight. It is said that Yang, with her dances, invites audiences to journey to a fairyland with blooming flowers, singing birds, and running beasts. She gives life to those creatures with her emotional and expressive body language, and communicates with them.  No speech is needed in dance. She rarely separates her everyday life from the world of dance. Yang is a taciturn person, and finds it difficult to communicate with others. When she does speak, she most and what she says usually concerns dance.  This is Yang Liping, who lives for dance.
仔细看了,基本没问题.唯一发现的一个小问题就是第二段第11行的那个that之前,不应该有逗号,或者你把它改成which吧.我记得引导定语从句的that之前不能加逗号.其它没问题.
第11行没有that啊~~
好把。我刚才是在手机上看的所以在第二段看到了第11行。应该是第二段第五行:“The Soul of the Peacock, that she choreographed and performed herself”。有逗号就是非限定定语从句,只能用which了。佛对我说你的心上有尘我用力地擦拭。佛说你错了,尘是擦不掉的。我于是将心剥了下来。 佛又说:你又错了,尘本非尘,何来有尘。 我领悟不透,是什么意思?
佛对我说你的心上有尘我用力地擦拭。佛说你错了,尘是擦不掉的。我于是将心剥了下来。 佛又说:你又错了,尘本非尘,何来有尘。 我领悟不透,是什么意思? 5
佛对我说:你的心上有尘。我用力地擦拭。 佛说:你错了,尘是擦不掉的。我于是将心剥了下来。 佛又说:你又错了,尘本非尘,何来有尘。 我领悟不透,是什么意思?
不区分大小写匿名
菩提本无树 明镜亦非台 本来无一物 何处惹尘埃
放下 执着分别
佛自己都在争一炷香,他凭什么说我们心中有尘,佛既然要我们四大皆空,想必他也做得到,那又何毕让我么去拜他才会保佑我们?
思维要回转弯。就是回头。复杂点说。
心上有尘。是说,有贪执、妄念。当然擦不掉。是要看破所贪执的东西,放下迷乱的心。
尘本非尘,何来有尘。是说,尘只是形容词,是大家所共知的一个概念,名字。 词句直指人心,是说你见到树,触碰到树,都是因为你的心识里还有“树的相”存在。树,只是心识中的错误认知,是执着有而生的“实体”。就是要心中无执着,又能明晰所见、所感、所触,都是梦幻一样。
我的儿子要求他妈给他拿喷壶,很是闹人,给他后,喷了一床的水,老婆生气了,打了他一下,说了他两句,他就又是哭,又是闹,竟然还打他妈,老婆更是生气了。我问老婆,知道你的痛苦是谁给的吗?她说是自己。又问,知道他的痛苦是谁给的吗?她说是她。
我怎么看?!儿子的哭闹是贪执喷壶而来,得不到就难受,得到了,却没有正确的使用,所以,影响到了老婆的利益(她要收拾),所以老婆烦恼了。如果当初老婆不给他,孩子就不会挨打,老婆也不会更烦恼。痛苦是自己找的,但是,如果老婆能引导孩子不在床上喷水,而是教他到花盆前玩的话,结果就会不同了。原因是,老婆执着“收拾”,孩子执着“好奇解秘”,孩子不知道已经闯祸了;还有,如果老婆任由孩子玩,将来养成习惯,将不可预见。成长需要正确的引导。
人都是这样,自己像孩子一样的执着,所做所为不知道已经闯祸了,当痛苦降临时也没有完全明白是为什么。为什么呢?是心中的牵挂、是有各自的所求。一切所见都是我心的认知,错把所见当真。所以这些假象就迷惑了自己,让自己痛苦的是自己。让自己染尘的是自己。做因本身就是一种执着的产物,执着因了当然有果,什么都不执着,自己就回来了!
所见的好人,将来可能是坏人,因为轮回,因为执着,因为习气。没有一定的,都是变幻的,这变换的景象是自己心中错误认知的结果。好比动物园的动物,真正的家园不是动物园,而是无限的森林。动物园再怎么好,怎么像,都不是真正的家。
尘非尘,是名为尘。这个“名”就是心中的“执着、概念、错误的认知”,有概念就有分别,有错误的认知就有“实体”。比如,你误会你 的朋友出卖你了,你很是生气懊恼,当得知真相后,一切又好了。可是要注意,“生气懊恼”已经发生过了,你的感受已经存在过了。这种感受的“实体”其实是不应该发生的,只是因为你不了解真相而已!了解了真相,无论出现什么,你还会生气懊恼吗?!
你看到心上的尘了吗
若见诸相非相,则见如来。
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