[3D/2B][FOW-013] First Assembly 尼尔机械纪元 同人 STUDIO FOW [MP4] 11/30 - 黑丸のＭＵＧＥＮ同人格斗园 -
美女游戏_美女图片_日本动漫_AGREE美少女游戏论坛
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帖子476&积分578& 经验值1822 石& 威信度0 星& 金钱数11709 贯& 魅力值591 点& 灵石0 颗& 神金0 个& 仙玉0 块&注册时间&最后登录&
所需阅读权限 20 [3D/2B][FOW-013] First Assembly 尼尔机械纪元 同人 STUDIO FOW [MP4] 11/30
[FOW-013] First [Ass]embly 尼尔机械纪元 2B小姐姐同人
kunoichi 的 同人制作工作室 SFM 最新作品
11月30日正式公开下载，今晚Patreon用户可提前观看。
https://pan.baidu.com/s/1pKNMxEb
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帖子239&积分232& 经验值685 石& 威信度0 星& 金钱数23 贯& 魅力值234 点& 灵石0 颗& 神金0 个& 仙玉0 块&注册时间&最后登录&
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帖子469&积分488& 经验值1497 石& 威信度0 星& 金钱数6 贯& 魅力值472 点& 灵石0 颗& 神金0 个& 仙玉0 块&注册时间&最后登录&
<td class="t_msgfont" id="postmessage_666666 谢谢楼主分享
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宠物状态： 死亡
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HP： 100 / 100
MP： 0 / 0
SP： 0 / 5000
帖子631&积分658& 经验值2019 石& 威信度0 星& 金钱数1099 贯& 魅力值640 点& 灵石0 颗& 神金0 个& 仙玉0 块&注册时间&最后登录&
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纯支持一下
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帖子470&积分548& 经验值1770 石& 威信度0 星& 金钱数5043 贯& 魅力值489 点& 灵石1 颗& 神金0 个& 仙玉0 块&注册时间&最后登录&
图片为什么看不到&&哭
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帖子54&积分45& 经验值115 石& 威信度0 星& 金钱数2 贯& 魅力值55 点& 灵石0 颗& 神金0 个& 仙玉0 块&注册时间&最后登录&
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帖子8259&积分9124& 经验值29029 石& 威信度0 星& 金钱数10888 贯& 魅力值8313 点& 灵石2 颗& 神金0 个& 仙玉0 块&注册时间&最后登录&
楼主辛苦了
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帖子361&积分403& 经验值1289 石& 威信度0 星& 金钱数8 贯& 魅力值364 点& 灵石0 颗& 神金0 个& 仙玉0 块&注册时间&最后登录&
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帖子50&积分50& 经验值149 石& 威信度0 星& 金钱数-2 贯& 魅力值52 点& 灵石0 颗& 神金0 个& 仙玉0 块&注册时间&最后登录&
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帖子191&积分192& 经验值577 石& 威信度0 星& 金钱数150 贯& 魅力值194 点& 灵石0 颗& 神金0 个& 仙玉0 块&注册时间&最后登录&
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帖子199&积分226& 经验值729 石& 威信度0 星& 金钱数0 贯& 魅力值201 点& 灵石0 颗& 神金0 个& 仙玉0 块&注册时间&最后登录&
sgsgsdfsdf
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帖子60&积分83& 经验值266 石& 威信度0 星& 金钱数147 贯& 魅力值88 点& 灵石0 颗& 神金0 个& 仙玉0 块&注册时间&最后登录&
<td class="t_msgfont" id="postmessage_!!
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帖子274&积分281& 经验值856 石& 威信度0 星& 金钱数38 贯& 魅力值276 点& 灵石0 颗& 神金0 个& 仙玉0 块&注册时间&最后登录&
<td class="t_msgfont" id="postmessage_6666666求FOW的尼尔同人_百度知道
求FOW的尼尔同人
求FOW的尼尔同人要超清的，百度云
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Tragedy and the Whole Truth
By Aldous Huxley
There were six of them, the best and bravest of the hero"s companions. Turning back from his post in the bows, Odysseus was in time to see them lifted, struggling, into the air, to hear their screams, the desperate repetition of his own name. The survivors could only look on helplessly, while Scylla “at the mouth of her cave devoured them, still screaming, still stretching out their hands to me in the frightful struggle.” And Odysseus adds that it was the most dreadful and lamentable sight he ever saw in all his “explorings of the passes of the sea.” W Homer"s brief description (the too poetical simile is a later interpolation) convinces us.
Later, the danger passed, Odysseus and his men went ashore for the night and, on the Sicilian beach, prepared their supper—prepared it, says Homer, …expertly." The Twelfth Book of the Odyssey concludes with these words. “When they had satisfied their thirst and hunger, they thought of their dear companions an d wept, and in the midst of their tears sleep came gently upon them.”
The truth, the whole truth, and nothing but the truth—how rarely the older literatures ever told it! Bits of the truth, every good book gives us bits of the truth, would not be a good book if it did not. But the whole truth, no. Of the great writers of the past incredibly few have given us that. Homer—the Homer of the Odyssey—is one of those few.
“Truth?” you question. “For example, 2 + 2 = 4? Or Queen Victoria came to the throne in 1837? Or light travels at the rate of 187,000 miles a second?” No, obviously, you won"t find much of that sort of thing in literature. The …truth" of which I was speaking just now is in fact no more than an acceptable verisimilitude. When the experiences recorded in a piece of literature correspond fairly closely with our own actual experiences, or with what I may call our potential experiences—experiences, that is to say, which we feel (as the result of a more or less explicit process of inference from known facts) that we might have had—we say, inaccurately no doubt: “This piece of writing is true.” But this, of course, is not the whole story. The record of a case in a text-book of psychology is scientifically true, insofar as it is an accurate account of particular events, But it might also strike the reader as being …true" with regard to himself—that is to say, acceptable, probable, having a correspondence with his own actual or potential experiences. But a text-book of psychology, is not a work of art—or only secondarily and incidentally a work of art. Mere verisimilitude, mere correspondence of experience recorded by the writer with experience remembered or imaginable by the reader, is not enough to make a work of art seem …true." Good art possesses a kind of super-truth—is more probable, more acceptable, more convincing than fact itself. N for the artist is endowed with a sensibility and a power of communication, a capacity to …put things across," which events and the majority of people to whom events happen, do not possess. Experience teaches only the teachable, who are by no means as numerous as Mrs. Micawber"s papa"s favourite proverb would lead us to suppose. Artists are eminently teachable an d also eminently teachers. They receive from events much more than most men receive and they can transmit what they have received with a peculiar penetrative force, which drives their communication deep into the reader"s mind. One of our most ordinary reac tions to a good piece of literary art is expressed in the formula: “This is what I have always felt and thought, but have never been able to put clearly into words, even for myself.”
We are now in a position to explain what we mean when we say that Homer is a writer who tells the Whole Truth. We mean that the experiences he records correspond fairly closely with our
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不知道有没有人认识2B姐姐，我有她的小视频哦！fow的3D动
不知道有没有人认识2B姐姐，我有她的小视频哦！fow的3D动漫。
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