初次见游客，大熊猫幼仔抱着饲养员的腿不放。
一辆小轿车和路过的火车发生碰撞，事故致2死1伤。
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　　《实况足球2016（PES2016）》里面的经典球员名字大家都了解吗？今天笔者就为大家带来了实况足球2016经典球员真假名一览，小伙伴们想不想看看球员名有什么不同吗？下面跟上我的脚步一起来吧。
　　Euro Classic Team（欧洲经典）
　　假名 真名 中文名
　　B.Uhrmann Kahn 卡恩
　　C.Rasch Schmeichel 舒梅切尔
　　R.de Bruijn Stam 斯塔姆
　　R.Daniele Maldini 马尔蒂尼
　　E.BonfichiF Cannavaro 卡纳瓦罗
　　E.Claire Desailly 德塞利
　　R.Cleitman Blanc 布兰科
　　D.Gavrilovic Mihajlovic 米哈伊诺维奇
　　V.Guillemin Lizarazu 利扎拉祖
　　S.Daumier Thuram 图拉姆
　　H.San Martin Guardiola 瓜迪奥拉
　　M.Clave Hierro 耶罗
　　V.deBroglie Mak&l&l& 马克莱莱
　　R.Grant Scholes 斯科尔斯
　　N.Gusmeroli Vieira 维埃拉
　　E.HallsRoy Keane 罗伊基恩
　　E.Rego Figo 菲戈
　　E.Saunders Beckham 贝克汉姆
　　L.Caze Zidane 齐达内
　　A.Brabec Nedved 内德维德
　　R.Dommartin Ballack 巴拉克
　　T.Stanic Boban 博班
　　A.BritoRui Costa 鲁伊科斯塔
　　G.Hermans Overmars 奥维马斯
　　L.GiombiniR. Baggio 巴乔
　　E.Bottas Litmanen 利特马宁
　　F.Kok Bergkamp 博格坎普
　　D.Polischuk Shevchenko 舍普琴科
　　L.DekkerVan Nistelrooy 范尼斯特鲁伊
　　T.Monleone Inzaghi 因扎吉
　　Q.Daltrey Shearer 阿兰希勒
　　D.Gay Owen 欧文
　　World Classic Team（世界经典）
　　假名 真名 中文名
　　I.Zapatero Chilavert 奇拉维特
　　J.Da Gama Taffarel 塔法雷尔
　　M.LarrayaJ. Campos 坎波斯
　　J.Saizal Ayala 阿亚拉
　　T.Miranda Aldair 阿尔代尔
　　J.Clos Montero 蒙特罗
　　Eulseon Ok Bo Hong-Myung 洪明甫
　　S.Turiel Iv&nC&rdoba 伊万&科尔多巴
　　H.Mata RobertoCarlos 罗伯特卡洛斯
　　L.Sotherton Babayaro 巴巴罗亚
　　E.Pahissa Arce 弗朗西斯科&阿尔塞
　　D.Noronha Cafu 卡福
　　M.Lledo Redondo 雷东多
　　I.Lys Almeyda 阿尔梅达
　　A.Correia Dunga 邓加
　　R.Vasconcelos Emerson 埃莫森
　　R.Vidre Simeone 西蒙尼
　　D.Bauza Solano 索拉诺
　　A.Enright Okocha 奥科查
　　M.Ferrando Valderrama 巴尔德拉马
　　M.Eto Nakata 中田英寿
　　E.Cavalcante Denilson 德尼尔森
　　J.Salisachs C.L&pez 洛佩兹
　　F.Canabal Ortega 奥尔特加
　　J.Mapleton Kanu 卡努
　　S.Cavalcanti Ronaldo 大罗纳尔多
　　E.Doblas Batistuta 巴蒂斯图塔
　　U.Blank I.Zamorano 萨莫拉诺
　　P.Moura Rom&rio 罗马里奥
　　K.Pleasence Weah 乔治维阿
　　I.Clavero M.Salas 萨拉斯
　　J.Versois MBoma 姆博马
　　更多相关内容请关注：实况足球2016专区
　　标签：实况足球2016攻略
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客服邮箱：《实况足球2016》经典球员真假名列表一览_图文攻略_全通关攻略_高分攻略_百度攻略
《实况足球2016》中经典球员名称大家是否清楚呢？下面小编就为大家带来《实况足球2016》经典球员真假名列表一览，一起来看吧。Euro Classic Team（欧洲经典）假名真名中文名B.UhrmannKahn卡恩C.RaschSchmeichel舒梅切尔R.de BruijnStam斯塔姆R.DanieleMaldini马尔蒂尼E.BonfichiFCannavaro卡纳瓦罗E.ClaireDesailly德塞利R.CleitmanBlanc布兰科D.GavrilovicMihajlovic米哈伊诺维奇V.GuilleminLizarazu利扎拉祖S.DaumierThuram图拉姆H.San MartinGuardiola瓜迪奥拉M.ClaveHierro耶罗V.deBroglieMak&l&l&马克莱莱R.GrantScholes斯科尔斯N.GusmeroliVieira维埃拉E.HallsRoyKeane罗伊基恩E.RegoFigo菲戈E.SaundersBeckham贝克汉姆L.CazeZidane齐达内A.BrabecNedved内德维德R.DommartinBallack巴拉克T.StanicBoban博班A.BritoRuiCosta鲁伊科斯塔G.HermansOvermars奥维马斯L.GiombiniR.Baggio巴乔E.BottasLitmanen利特马宁F.KokBergkamp博格坎普D.PolischukShevchenko舍普琴科L.DekkerVanNistelrooy范尼斯特鲁伊T.MonleoneInzaghi因扎吉Q.DaltreyShearer阿兰希勒D.GayOwen欧文World Classic Team（世界经典）假名真名中文名I.ZapateroChilavert奇拉维特J.Da GamaTaffarel塔法雷尔M.LarrayaJ.Campos坎波斯J.SaizalAyala阿亚拉T.MirandaAldair阿尔代尔J.ClosMontero蒙特罗Eulseon OkBo Hong-Myung洪明甫S.TurielIv&nC&rdoba伊万&科尔多巴H.MataRobertoCarlos罗伯特卡洛斯L.SothertonBabayaro巴巴罗亚E.PahissaArce弗朗西斯科&阿尔塞D.NoronhaCafu卡福M.LledoRedondo雷东多I.LysAlmeyda阿尔梅达A.CorreiaDunga邓加R.VasconcelosEmerson埃莫森R.VidreSimeone西蒙尼D.BauzaSolano索拉诺A.EnrightOkocha奥科查M.FerrandoValderrama巴尔德拉马M.EtoNakata中田英寿E.CavalcanteDenilson德尼尔森J.SalisachsC.L&pez洛佩兹F.CanabalOrtega奥尔特加J.MapletonKanu卡努S.CavalcantiRonaldo大罗纳尔多E.DoblasBatistuta巴蒂斯图塔U.BlankI.Zamorano萨莫拉诺P.MouraRom&rio罗马里奥K.PleasenceWeah乔治维阿I.ClaveroM.Salas萨拉斯J.VersoisMBoma姆博马更多相关资讯请关注：实况足球2016专题精彩内容，尽在百度攻略：
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OBITUARIES : Donald Pleasence
Friday 3 February
Donald Pleasence, actor: born Worksop, Nottinghamshire 5 October 1919; OBE 1994; author of Scouse The Mouse 1977, Scouse in New York 1978; married 1940 Miriam Raymond ( marriage dissolved 1958), 1959 Josephine Crombie ( marriage dissolved 1970), 1970 Meira Shore ( marriage dissolved), 1989 Linda W died St Paul de Vence, France 2 February 1995.odd man out: master of low cunning and of sinister poise, a threat to anyone's peace of mind, his own as often as not. He specialised in conspicuous self-effacement. And if his roles happened not to be sinister or self-effacing he made them so. His acting was decisive, distinct, disconcerting and dreadful in the sense that he filled with fascinated fear those who watched him. Both on stage, and off.
He was odd the first time I ever saw him nearly half a century ago in the golden days of the Arts Theatre. It was a play by Jean-Paul Sartre, Huis Clos, done into English as Vicious Circle and acted by Alec Guinness. Beatrix Lehmann, Betty Ann Davies. Peter Brook, in his twenties, directed. Pleasence was the watcher, the bell-hop, a sort of Buttons. A tiny part and supposedly self-effacing but of course unforgettable, like most of his theatrical acting. The knack of being glaringly off-centre rarely failed to catch the imagination even if the knackgrew a touch predictable.
Pleasence could be pleasant. After spells in rep at Birmingham and Bristol he was charming for example as the timorous North Country shoemaker Willie Mossop in Hobson's Choice (1952) - again at the then invaluable Arts - and after tiny parts in London and New York with Olivier's company in Caesar and Cleopatra and Antony and Cleopatra had a play of his own, Ebb Tide (1952), acted at the Edinburgh Festival which was judged good enough to go to the Royal Court.
Pleasence went to Stratford-upon-Avon and turned up as Lepidus in the Redgrave-Ashcroft Antony and Cleopatra. He was the Dauphin to Dorothy Tutin's Joan of Arc in another Brook production, Anouilh's The Lark (1956); but the part that made him famous was the tramp in Pinter's The Caretaker (1960), again at the Arts.
No one who saw him is likely to forget the cringing, whining wheedling, fearful and fearsome ambiguity of that tramp with his dreams of getting down to Sidcup. The cunning way in which he dealt with those two strange brothers in those seedy premises, andhis beady-eyed resolve to have things his way brought the play into sinister but comic focus.
Pleasence's voice, at once incisive, rasping, calculated, cold, sounded like iron filings. When the play went to the West End and thence to Broadway he went with it. He had been perfect. He had made the oily, wily, anxious litt and when the play was revived in 1990 there was no question that the actor who created the part should play it again. He did so superbly.
He loomed impressively in other West End plays. As Anouilh's Poor Bitos (1967), solitary, self-pitying, eery, he sent shivers down most spines and as the Eichmann-type character in Robert Shaw's The Man in The Glass Booth (1967, directed by Pinter) he went back to Broadway and won the London Variety Award for Stage Actor of the Year (1968).
Variety? Pleasence's talents as an actor ``did not that way tend''; but so what? His line was unrivalled in its nervy disclosure of fearful imaginings and private suffering, unrelieved solitude and sweaty suspicion. Small wonder if Pinter chose him againfor a double bill of his plays, The Basement and Tea Party in 1970 at the Duchess, where The Caretaker had thrived a decade earlier.
When however Pleasence had the misfortune to experience in Simon Gray's Wise Child the kind of swift failure in which Broadway specialises - he played the transvestite role of Mrs Artminster created in London by Alec Guinness - he turned more and more totelevision and the cinema. He always dreaded being out of work.
Having settled for the screen, big or small, he might not have got the kicks which the theatre brought him (and us) but his nightmare of unemployment receded. His love of the stage had once or twice cost him dear. Had he not turned down a fortune from a film offer to play the title role in The Caretaker? Had he not gone on to film it for nothing when more Hollywood gold had beckoned?
Still, his re-creation of his original role on stage five years ago in a revival of The Caretaker showed that at 70 he had lost none of that indefinably eery power to give us the shivers with a blue-eyed stare. Had it come from art alone or from his wartime experiences?
Having registered as a conscientious objector, he joined the RAF when he saw how fellow-pacifists regarded without apparent emotion or guilt the Nazi bombing of L and as a member of a bomber's crew he flew 60 missions over Germany before being shotdown and imprisoned.
Adam Benedick Well-known as a star of the cinema screen, giving menacing performances in the title role of Dr Crippen (1962) and as the psychiatrist Sam Loomis in the Halloween series of supernatural chillers, Donald Pleasance also brought his sinister looks to television in a variety of productions, from a controversial Fifties version of Orwell's Nineteen Eighty-Four to appearances in Armchair Mystery Theatre and The Falklands Factor, writes Anthony Hayward. His piercing, psychotic stare, hushed voiceand bald head were his trademarks, in almost 200 films and as many television programmes over half a century.
Born in Worksop, Nottinghamshire, the son of a station master, Pleasance followed his father into the railways on leaving school by becoming clerk-in-charge at Swinton station, in south Yorkshire, but his ambition was to be an actor. When the chance came, with Jersey Rep in 1939, he started as an assistant stage manager, before making his debut as Hareton in Wuthering Heights. His first London stage appearance was as Valentine in Twelfth Night, three years later.
Shortly afterwards, he joined the RAF for war service as a radio operator and, after being shot down, was a prisoner-of-war from 1944 until 1946, when he returned to the theatre. After his successful stage work with Laurence Olivier in New York and at the Royal Court, London, and Shakespeare Memorial Theatre, Stratford-upon-Avon, Pleasence made his name as a film actor.
He made his big-screen debut as Tromp in the 1954 picture The Beachcomber and followed it with such notable films as Look Back in Anger (1959), The Flesh and the Fiends (1960, as a 19th-century grave-robber), Spare the Rod (1961, as an embittered headmaster with a penchant for corporal punishment), Dr Crippen (which established him as a brilliant player of evil roles), The Great Escape (1963, as Blythe, the forger of visas and other documents) and The Greatest Story Ever Told (1965).
However, his prolific screen appearances - which in some years meant he starred in half-a-dozen pictures - were not all successful. ``I make films for money," he once said. "I never, ever watch them." In the James Bond feature You Only Live Twice (1967),he played the badly scarred, wonky-eyed arch-villain Ernest Blofeld, the evil boss of SPECTRE, although he was subsequently considered not ideal for the role and replace by Telly Savalas and Charles Gray, who dispensed with the facial disfigurement.
Pleasence was back on top form in Henry VIII and his Six Wives (1972), in the role of Thomas Cromwell, gleefully weeding out opponents to the King's divorce. He appeared alongside Michael Caine in both Kidnapped (1971, playing the niggardly Uncle Ebenezer in the Robert Louis Stevenson classic) and the spy thriller The Black Windmill (1974, as the twitchy paymaster). Pleasence was given a new lease of life as Dr Sam Loomis, the psychiatrist haunted by evil, in the Halloween series of supernatural horror films, starting in 1978, and later appeared in Woody Allen's Shadows and Fog (1991).
Although his television appearances were infrequent after he gained film stardom, they were many and usually made their mark. He made his debut as early as 1946, in I Want to Be A Doctor, and eight years later won acclaim for his performances in the BBC's 1984, alongside Peter Cushing. The adaptation, by Nigel Kneale, author of the Quatermass Experiment, caused an outcry among viewers because it was screened on a Sunday evening, a time when they were used to enjoying more sedate dramas.
Later Pleasence became known as the presenter and producer of Armchair Mystery Theatre for several years (starting in 1960), also acting in some episodes. He went on to perform on American and Canadian television. appearing in episodes of The Twilight Zone, Orson Welles's Great Mysteries and Columbo. He also appeared in Centennial (1978-79), as Samuel Purchase in the series based on James Michener's epic novel, Dennis Potter's Blade on the Feather (1980), as an ageing Establishment figure suddenly exposed as a homosexual and Soviet spy - in the wake of the Anthony Blunt scandal - The Barchester Chronicles (1982), in which he gave a touching performance as the Rev Septimus Harding in a seven-part adaptation of Trollope, The Falkland s Factor (1983), DonShaw's controversial Play for Today that featured him as Dr Samuel Johnson, who opposed a Falklands war in 1770 when the Spanish attempted to invade the islands and oust the British.
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